tag:blogger.com,1999:blog-28744907.post2930688836397261546..comments2023-10-05T13:52:35.237+01:00Comments on Palm Sounds: Are there too many synths?Palm Soundshttp://www.blogger.com/profile/03098653893896586488noreply@blogger.comBlogger12125tag:blogger.com,1999:blog-28744907.post-14482050793690099942015-10-24T05:46:40.777+01:002015-10-24T05:46:40.777+01:00The same can be said about books, music, etc. Whe...The same can be said about books, music, etc. When the tools of creation become cheap, decentralized, and proliferated, you get a bulk in the supply-side. While this can be a bummer for musicians, I think it's great for people who like music.<br /><br />That said, you could write a beautiful and varied and positively heartbreaking catalog your entire life using unprocessed sine waves. You just need the creativity and drive to do it.<br /><br />That said, it's an 80/20 thing. 80% of the synths bought are by people who will never use them or aren't really even musicians. And yet they make it possible for innovative synth companies to bring an awesome product to the 20% who do. A lot of people have the impression that people who play modulars are really just crappy musicians hiding behind their thousand dollar gear, but those are just the people who are out there peacocking and grandstanding about it. Modulars are *everywhere* and they've never gone away, especially for movie soundtracks (ok, maybe in the 80s, somewhat).Anonymoushttps://www.blogger.com/profile/17692506554302900449noreply@blogger.comtag:blogger.com,1999:blog-28744907.post-57392573792878276922015-09-02T23:48:41.345+01:002015-09-02T23:48:41.345+01:00@Simon. Cool. I've enjoyed it, but still go ba...@Simon. Cool. I've enjoyed it, but still go back to Effectrix time after time. I should probably do some more with Egoist soon.ashleyhttps://www.blogger.com/profile/16236015353200192304noreply@blogger.comtag:blogger.com,1999:blog-28744907.post-86156710847617421512015-08-18T13:42:05.553+01:002015-08-18T13:42:05.553+01:00Yes Ashley, I have Egoist and love it. Yes Ashley, I have Egoist and love it. Simonnoreply@blogger.comtag:blogger.com,1999:blog-28744907.post-85059973452305152172015-08-17T22:41:12.788+01:002015-08-17T22:41:12.788+01:00Thanks for lots of thought provoking comments. Whe...Thanks for lots of thought provoking comments. When I stand far enough back to see the current pecking order, where the studio packed with $50,000+ of hardware reigns with all its built-in analog prejudices--and this now includes all the modular fanboyism--and the fragile state of innovative AudioUnits synths for desktop OSX due to the tiny user base and the dominance of NI, then the innovative touch concept seems to me where the sweet spot is right now.<br /><br />The touch controller/synthesizer interface is key. There is almost nothing like Gestrument, the TC apps, Sector, Soundscaper, Lemur, Konkrete Performer (!), etc. elsewhere available 'in hardware.' <br /><br />The iPad Pro will likely include the Alchemy engine and ground shaking touch paradigms. Imagine what would result were NI to port Absynth to iPad, a synth paradigm that begs for TC-like or Lemur control?<br /><br />So, for me, it is the workflow ecosystem on iPad that drives innovative sound making. One can have many more synths than one could hope to master, but, at the same time, the first time you fool around with TC-Data driving Animoog, you're going to be hooked. For example...<br /><br />(Kamelmauz)<br /><br /><br />SHOONhttps://www.blogger.com/profile/10797583639419242157noreply@blogger.comtag:blogger.com,1999:blog-28744907.post-9355724599400797772015-08-15T11:25:14.105+01:002015-08-15T11:25:14.105+01:00Thanks all for the comments. A few thoughts ...
W...Thanks all for the comments. A few thoughts ...<br /><br />William, I take your point about traditional instruments and about iOS or mobile music as a whole becoming very electronic in its focus. I'm going to think a bit more about that, it's a very good point.<br /><br />Simon, another app you should try is Egoist, and also effectrix, which is a personal fav of mine.<br /><br />K Brown, thanks. I hadn't thought of that. Good spot!ashleyhttps://www.blogger.com/profile/16236015353200192304noreply@blogger.comtag:blogger.com,1999:blog-28744907.post-73293155603496992172015-08-15T03:22:44.434+01:002015-08-15T03:22:44.434+01:00This is a good observation and article. Firstly ma...This is a good observation and article. Firstly may I mention that there are many already many great iOS apps and DAWs which arrive with synths included that are cut down versions of their desktop equivalent. Such as Cubasis and Egoist to name but a few.<br /><br />I agree with you that sometimes it does get a bit much. 'iOS Synth overkill' But personally re: new iOS apps in general, I buy what I think I can use to improve musicality, projects, what has a truly amazing USP for iOS & also what pushes the boundaries re what you really cannot do on the desktop unless it is via touchscreen. <br /><br />For example if you don't have the cash resources for Push yet, with a bit of time & effort programming touchable and Lemur from iOS can help you do for Ableton what a clicky mouse & on screen Macros can't. However, with apps such as Music io - the game is evolving faster than we can keep up - in a good way…<br /><br />To sum up newbies are the ones who will probably be caught by the influx of iOS synths because with age comes experience. So the answer is in your statement 'If its shoddy replicas you want - spend 99p on an app that'll be iffy with an update every millennium (if your lucky) and if it's guaranteed greatness you want then - go Gadget go..! I peep your blog daily so I know you get my drift. (Thanks BTW it's brill)<br /><br />Regardless, you can't knock developers for trying and the 'Caustic' cream of the crop will always rise to the top - even if it is after all of us at one point or another bought one or two bad apps before we came to our senses…<br /><br />NB: There will be even more to consider In a few weeks when the much anticipated 12 inch iPad arrives (wish,wish,wish…)<br />Anonymoushttps://www.blogger.com/profile/10612266023482794667noreply@blogger.comtag:blogger.com,1999:blog-28744907.post-30217050439400681172015-08-15T03:02:49.136+01:002015-08-15T03:02:49.136+01:00The irony of the post following "Don't fo...The irony of the post following "Don't forget to take advantage of the Korg summer sale" hasn't been lost on me... ;)K Brownhttps://www.blogger.com/profile/15965573705606444668noreply@blogger.comtag:blogger.com,1999:blog-28744907.post-47072825914088092982015-08-14T23:03:20.647+01:002015-08-14T23:03:20.647+01:00The proliferation of synths seems to be painting t...The proliferation of synths seems to be painting the possibilities of mobile music production into an electronic-esque corner. Many of the daily synth app releases and updates are welcomed by musicians focusing on electronic music styles/varieties, I'm sure. But, as someone interested in more "traditional" sounds/instruments (guitar, bass, strings, etc.), I feel constricted by the dearth of available tools. The smart instruments in Garage Band are a nice point of departure, and there are several other apps I use for creating instrument tracks (iJBass, e.g.), but I would appreciate more developments in these areas.William Clabornhttps://www.blogger.com/profile/15670332599154660185noreply@blogger.comtag:blogger.com,1999:blog-28744907.post-14952222014837550742015-08-13T19:07:32.523+01:002015-08-13T19:07:32.523+01:00there is lot of synths on iOS platform, but just v...there is lot of synths on iOS platform, but just very few which can be compared to top quality desktop or hardware synths.. maybe less than 10 of iOS synth can play in top synth game.. then there is lool loot of more or less average synths.. but that really good ines - not much...Anonymoushttps://www.blogger.com/profile/11788293883156808507noreply@blogger.comtag:blogger.com,1999:blog-28744907.post-36842588928005821662015-08-13T13:46:18.170+01:002015-08-13T13:46:18.170+01:00Completely agree. The impact it's had on my wo...Completely agree. The impact it's had on my workflow, is exactly the reason I jumped into iOS in 2009 - focus. I found that when I had a small number of apps, I learned them inside out. Now, it's the same as the desktop and it takes a while to get going; open Audiobus, select from loads and loads of i/p, FX and o/p apps and then make music. OK, some time can be saved by using AB state saves and reducing the number of installed apps but still, I must soon reject AB and go back to 'one app at a time' workflow and then just record the audio into my laptop - I blame everyone else for this sorry state of affairs, including FOX news and the fact that Comedy Central dropped The Daily Shiw in the UK, forcing me to *cough* do nothing illegal, in order to watch my beloved Mr.Stewart's final run.<br />Anyway, that's my rant over, thanks for all the fish.Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-28744907.post-14281240419032974192015-08-13T13:23:05.188+01:002015-08-13T13:23:05.188+01:00For me to buy yet another synth it would have to ...For me to buy yet another synth it would have to be pretty special. <br /><br />These days I am more interested in apps that mash or sequence stuff - like Sector, Samplr, Attack, Patterning etc.<br /><br />As for how do I choose what to buy... well, a big influence is a certain Doug from the Soundtestroom. I watch his vids and often make a descion based on what I see.Simonnoreply@blogger.comtag:blogger.com,1999:blog-28744907.post-59031164062041225172015-08-13T12:21:15.857+01:002015-08-13T12:21:15.857+01:00My sense is that this is just a paradigm shift fur...My sense is that this is just a paradigm shift further away form hardware. 20 years ago. I would be lucky to own one hardware synth, and would probably become proficient in that synth only. Now, there are so many for so little money on IOS, that we all buy each just to see if the new synth has that 'sound' we are all chasing. Problem is that very few of us are digging deep into any of them. My 2 cents.<br /><br />PeterAnonymousnoreply@blogger.com